HUGO
HYMAS
Press
Haydn – The Creation – Les Arts Florissants / William Christie
The English tenor Hugo Hymas brought poignant vocal colors and melting tenderness to his performance.
New York Times, 16 November 2018
Purcell - Ode to St Cecilia’s Day – Freiburg Baroque / Kristian Bezuidenhout
If I had to pick out one sublime moment it would be tenor Hugo Hymas’s rendition of Beauty thou Scene of Love in Purcell’s Ode.
The Telegraph, 23 November 2022
Bach & Caldara - Dunedin Consort / John Butt
Standing out among the singers, the tenor Hugo Hymas disclosed a bloom at the top of his voice.
The Telegraph, 1 January 2023
Buxtehude – Salvator Mundi – CD review – Ricercar Consort/Philippe Pierlot
A superb moment of elevation and the contemplation of eternity, carried by tenor Hugo Hymas’ stellar voice and remarkable emphasis of eloquence.
Le Figaro, 8 April 2023
Handel – La Resurrezione – The English Concert / Harry Bicket
Hugo Hymas sings with even, smoothly rounded tone as St John the Evangelist, dispenser of comfort and wisdom.
Gramophone, June 2022
Bach – Easter Oratorio – Gabrieli
Consort & Players / Paul McCreesh
The arias were exquisite, particularly Sanfte, Soll Mein Todeskummer for tenor (Hugo Hymas, excellent) and two recorders...
The Guardian, 20 April 2022
Bach – St John Passion – Academy of Ancient Music / Laurence Cummings
Hugo Hymas was the light-voiced tenor dealing very surely with his two demanding arias
Financial Times, 18 April 2022
Il Ritorno d’Ulisse in Patria – Maggio Musicale
The two servants Eurimaco and Melanto were played by tenor Hugo Hymas and mezzo-soprano Miriam Albano. They brought a youthful, playful element to the drama and related to each other with natural ease.
OperaWire, 6 July 2021
Battistelli – Julius Caesar – Opera di Roma
The tenor Hugo Hymas as Brutus’ servant Lucius produced a neatly essayed performance in which he showed off his attractive voice in a lyrical presentation.
OperaWire, 15 December 2021
Bach – St Matthew Passion – Arcangelo / Jonathan Cohen
The pick was Hugo Hymas, clear as a bell in the tenor solos.
The Times, 10 September 2021